Harry Potter and the Order of the Phoenix
Clearly Harry Potter is much less whiny in this film than in the book. I didn't absolutely hate him. I thought it was actually sympathetically played, and surprisingly, well-played. I didn't enjoy hating Imelda Staunton, whose acting has always impressed, which was a switch, since I thoroughly enjoyed hating David Tennant in the previous film, and I'm an immortal Whovian.
I love Luna.
The director did very well distilling a complex story into a couple of hours. Die-hards will naturally complain that their favorite scenes were left out. I don't recall watching Harry and Cho make out in the film more than that first kiss (although I admit, Nanowrimo distracted me), which is certainly a blessing. We get it. All of the facts included in the film make sense in the realm of the film. I can only imagine the nightmare that would have been for a conscientious director.
The effects were a bit confusing, which I think was the idea. Crisp wizard battling might have become a bit too ambitious. Sirius deserved more time, and more mourning, but I think the director needed to mitigate the stifling depression that enshrouds the piece as a whole. I'm sorry that non-readers don't understand everything that happens around that door, but as it is, it made enough sense to be getting on with, as I mentioned before.
I'm wasting words. Back to Nanowrimo.
I love Luna.
The director did very well distilling a complex story into a couple of hours. Die-hards will naturally complain that their favorite scenes were left out. I don't recall watching Harry and Cho make out in the film more than that first kiss (although I admit, Nanowrimo distracted me), which is certainly a blessing. We get it. All of the facts included in the film make sense in the realm of the film. I can only imagine the nightmare that would have been for a conscientious director.
The effects were a bit confusing, which I think was the idea. Crisp wizard battling might have become a bit too ambitious. Sirius deserved more time, and more mourning, but I think the director needed to mitigate the stifling depression that enshrouds the piece as a whole. I'm sorry that non-readers don't understand everything that happens around that door, but as it is, it made enough sense to be getting on with, as I mentioned before.
I'm wasting words. Back to Nanowrimo.
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