Jane Eyre
I'm afraid that Franco Zeffirelli isn't quite the "faithful custodian of the classics" the sleeve claimed. The liberties he took with the plot appalled me, not because they altered in any significant way the flow of the story, but because condensing the love story into a couple of hours merely cheapens the experience. Jane's tormented youth becomes a few moments of discomfort, and her helpless wandering transforms into a short carriage ride after which she faints for no apparent reason.
I must say that the acting in the film is very fine. The spoken french rolled glibly from Charlotte Gainsbourg's tongue, and the passions evoked by the director in all the main characters fit the story very well. I have been used to seeing the housekeeper as a brusque and enigmatic arbiter, but she became a caring and somewhat lonely older woman in the honed talents of Joan Plowright. Only a brief camera moment saved her from accusations of coldness, though.
This version of the story still rates below that of the 1983 BBC version (starring Timothy Dalton), despite William Hurt's brilliant performance, and the breathtaking musical score. If you're interested in Jane Eyre, or Victorian Gothic at all, I'd still recommend it.
I must say that the acting in the film is very fine. The spoken french rolled glibly from Charlotte Gainsbourg's tongue, and the passions evoked by the director in all the main characters fit the story very well. I have been used to seeing the housekeeper as a brusque and enigmatic arbiter, but she became a caring and somewhat lonely older woman in the honed talents of Joan Plowright. Only a brief camera moment saved her from accusations of coldness, though.
This version of the story still rates below that of the 1983 BBC version (starring Timothy Dalton), despite William Hurt's brilliant performance, and the breathtaking musical score. If you're interested in Jane Eyre, or Victorian Gothic at all, I'd still recommend it.
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