The Bicycle Thief (1948)

I watched it for class. It's a great example of Italian neo-realism. Unless you're interested in the cinematography, I see no reason to put yourself through this, though the reviewers on Netflix seemed to like it a lot. I don't know why. It's realism, so the artifice of American melodramatic tensions, and emotional payoff don't appear at all, though it's ideologically stable, if somewhat momentarily inconsistent.

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