Sad. Sad, sad, sad. This animated feature, about an unsuccessful magician and the girl who believes he's truly magical, ends on an abruptly "coming of age" moment for what seemed to be static characters, rather than working towards a long, dynamic shift. I found the animation entertaining, and at moments beautiful, and comical, and for those who think "sad" is "happy for deep people," this should be your nirvana. I think happy is happy for anyone who can reject postmodern angst. The story, really, is about the magician, not the little girl. He craves adoration, but can only get it by fooling a child. His rejection of such trickery at the end seems to indicate his freedom from some kind of addiction. It's meant to be hopeful, but it means that the storytellers portray the child, as she grows into a woman, as frustratingly naive, and ultimately hopeless. She simply passes from one kind of belief in magic into another, while the magician moves from a ...